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544 pages, Paperback
First published January 1, 1929
…a stone, a leaf, an unfound door; of a stone, a leaf, a door. And of all the forgotten faces.
Naked and alone we came into exile. In her dark womb we did not know our mother’s face; from the prison of her flesh have we come into the unspeakable and incommunicable prison of this earth.
In nakedness and loneliness of soul he paced along the streets. Nobody said, I know you. Nobody said, I am here. The vast wheel of life, of which he was the hub, spun round.
Each moment is the fruit of forty thousand years. The minute-winning days, like flies, buzz home to death, and every moment is a window on all time.
“By God, I shall spend the rest of my life getting my heart back, healing and forgetting every scar you put upon me when I was a child. The first move I ever made, after the cradle, was to crawl for the door, and every move I have made since has been an effort to escape.”
“Come up into the hills, O my young love. Return! O lost, and by the wind grieved, ghost, come back again, as first I knew you in the timeless valley, where we shall feel ourselves anew, bedded on magic in the month of June. There was a place where all the sun went glistening in your hair, and from the hill we could have put a finger on a star. Where is the day that melted into one rich noise? Where the music of your flesh, the rhyme of your teeth, the dainty languor of your legs, your small firm arms, your slender fingers, to be bitten like an apple, and the little cherry-teats of your white breasts? And where are all the tiny wires of finespun maidenhair? Quick are the mouths of earth, and quick the teeth that fed upon this loveliness. You who were made for music, will hear music no more: in your dark house the winds are silent. Ghost, ghost, come back from that marriage that we did not foresee, return not into life, but into magic, where we have never died, into the enchanted wood, where we still life, strewn on the grass. Come up into the hills, O my young love: return. O lost, and by the wind grieved ghost, come back again.”
When I took Look Homeward, Angelfrom the bookmobile and began reading it … I felt this was the book I'd always been looking for. It was a novel about me, and it was more than a novel. It was a revelation about how ambitious and thrilled and scared I was, and about how "lost" I felt. Eugene Gant's parents were my own parents, and his anxieties and frustrations and sense of destiny were my own … I discovered a version of myself in [the book] and became intoxicated with the elevated, poetic prose. I felt I had discovered a new poetry in the choral sections, in the soliloquies.Which of us has known his brother? Which of us has looked into his father's heart? Which of us has not remained forever prison-pent? Which of us is not forever a stranger and alone?
… Remembering speechlessly we seek the great forgotten language, the lost lane-end into heaven, a stone, a leaf, an unfound door.
…I was sure this was what was meant by epic writing, and by tragic poetry.
A destiny that leads the English to the Dutch is strange enough; but one that leads from Epsom into Pennsylvania, and thence into the hills that shut in Altamont over the proud coral cry of the cock, and the soft stone smile of an angel, is touched by that dark miracle of chance which makes new magic in a dusty world.
Each of us is all the sums he has not counted: subtract us into nakedness and night again, and you shall see begin in Crete four thousand years ago the love that ended yesterday in Texas.
The seed of our destruction will blossom in the desert, the alexin of our cure grows by a mountain rock, and our lives are haunted by a Georgia slattern, because a London cutpurse went unhung. Each moment is the fruit of forty thousand years. The minute-winning days, like flies, buzz home to death, and every minute is a window on all time.
“. . . . a stone, a leaf, an unfounded door; of a stone, a leaf, a door. And of all the forgotten faces.
Naked and alone we came into exile. In her dark womb we did not know our mother’s face; from the prison of her flesh have we come into the unspeakable and incommunicable prison of this earth.
Which of us has known his brother? Which of us has looked into his father’s heart? Which of us has not remained forever prison-pent? Which of us is not forever a stranger and alone?
O waste of loss, in the hot mazes, lost, among bright stars on this most weary unbright cinder, lost! Remembering speechlessly we seek the great forgotten language, the lost lane-end into heaven, a stone, a leaf, an unfound door. Where? When?
O lost and by the wind grieved, ghost, come back again.”
”. . . the reeking messiness of Gant’s fantastical brick shack, the great interior dustiness of the main room in front, sagging with gravestones—small polished slabs from Georgia, blunt ugly masses of Vermont granite, modest monuments with an urn, a cherub figure, or a couchant lamb, ponderous fly-specked angels from Carrara in Italy which he bought at great cost and never sold—they were the joy of his heart.”
“For six years it had stood on the porch, weathering in tall the wind and the rain. It was now brown and fly-specked. But it had come from Carrara in Italy, and it held a stone lily delicately in one hand. The other hand was lifted in benediction, it was poised clumsily upon the ball of one phthisic foot, and its stupid white face w0re a smile of soft stone idiocy.”
“The Square lay under blazing moonlight. The fountain pulsed with a steady breezeless jet: the water fell upon the pool with a punctual slap. No one came into the Square.
The chimes of the bank’s clock struck the quarter after three as Eugene entered from the northern edge, by Academy Street.
He came slowly over past the fire department and the City Hall. On Gant’s corner, the Square dipped sharply down toward Niggertown, as if it had been bent at the edge.
Eugene saw his father’s name, faded on the old brick in moonlight. On the stone porch of the shop the angels held their marble posture. They seemed to have frozen, in the moonlight.”
“Yet, as he stood for the last time by the angels of his father’s porch, it seemed as if the Square already were far and lost; or, I should say, he was like a man who stands upon a hill above a town he has left, yet does not say ‘The town is near,’ but turns his eyes upon the distant soaring ranges.”
“He crushed her to him in a fierce embrace; her slender body yielded to his touch as he bent over her; and her round arms stole softly across his broad shoulders, around his neck, drawing his dark head to her as he planted hungry kisses on her closed eyes, the column of her throat, the parted petals of her fresh young lips.” (105)What fun Wolfe must have had writing this.
He felt, rather than understood, the waste, the confusion, the blind cruelty of their lives—his spirit was stretched out on the rack of despair and bafflement as there came to him more and more the conviction that their lives could not be more hopelessly distorted, wrenched, mutilated, and perverted away from all simple comfort, repose, happiness, if they set themselves deliberately to tangle the skein, twist the pattern. (136-137)Alas, a little less than 200 pages later, I found myself skimming and then drowning, and decided that reading this once in a lifetime, even if I can’t remember it, will suffice.
Every culture has its southerners―people who work as little as they can, preferring to dance, drink, sing, brawl, kill their unfaithful spouses; who have livelier gestures, more lustrous eyes, more colorful garments, more fancifully decorated vehicles, a wonderful sense of rhythm, and charm, charm, charm; unambitious, no, lazy, ignorant, superstitious, uninhibited people, never on time, conspicuously poorer (how could it be otherwise, say the northerners); who for all their poverty and squalor lead enviable lives―envied, that is, by work-driven, sensually inhibited, less corruptly governed northerners. We are superior to them, say the northerners, clearly superior. We do not shirk our duties or tell lies as a matter of course, we work hard, we are punctual, we keep reliable accounts. . . . They caution themselves as people do who know they are part of a superior culture: we mustn't let ourselves go, mustn't descend to the level of the . . . jungle, street, bush, bog, hills, outback (take your pick). For if you start dancing on tables, fanning yourself, feeling sleepy when you pick up a book, developing a sense of rhythm, making love whenever you feel like it―then you know. The south has got you. ― Susan Sontag, The Volcano Lover: A Romance
He wanted opulent solitude. His dark vision burned on kingdoms under the sea, on windy castle crags, and on the deep elf kingdoms at the earth's core. He groped for the doorless land of faery, that illimitable haunted country that opened somewhere below a leaf or a stone. And no birds sing. ― Thomas Wolfe, Look Homeward, AngelWarning: This is lush writing. This is blown roses, crushed on the sidewalk, releasing their heady scent into the muggy August night. It's unfaithful lovers swooning under the spell of a cheese-yellow moon, as bats flicker overhead. It's a sweaty, post-coital sprawl on a messy bed, and it is deep Southern Gothic. Do not read this book right now if you are really in the mood for Raymond Carver, because it will likely induce nausea and vomiting and the rending of garments or pages. I can go both ways, austere and overblown, but happen to be in mood these past several months where I am enjoying fat, dense, too-many-words books with my big ol' mugs of tea. I'm also preferring untidiness―the sweet disorder in the dress―the early, conspicuously imperfect works of writers who would later learn to polish away their rough, amateurish edges.
His feeling for the South was not so much historic as it was of the core and desire of dark romanticism―that unlimited and inexplicable drunkenness, the magnetism of some men's blood that takes them into the heart of the heat, and beyond that, into the polar and emerald cold of the South as swiftly as it took the heart of that incomparable romanticist who wrote "The Rime of the Ancient Mariner," beyond which there is nothing. And this desire of his was unquestionably enhanced by all he had read and visioned, by the romantic halo that his school history cast over the section, by the whole fantastic distortion of that period where people were said to live in mansions, and slavery was a benevolent institution, conducted to a constant banjo-strumming, the strewn largesses of the colonel and the shuffle-dance of his happy dependents, where all women were pure, gentle, and beautiful, all men chivalrous and brave, and the Rebel horde a company of swagger, death-mocking cavaliers.***
Years later, when he could no longer think of the barren spiritual wilderness, the hostile and murderous entrenchment against all new life―when their cheap mythology, their legend of the charm of their manner, the aristocratic culture of their lives, the quaint sweetness of their drawl, made him writhe―when he could think of no return to their life and its swarming superstition without weariness and horror, so great was his fear of the legend, his fear of their antagonism, that he still pretended the most fanatic devotion to them, excusing his Northern residence on grounds of necessity rather than desire.
The Confederate States of America (CSA or C.S.), commonly referred to as the Confederacy and the South was an unrecognized country in North America that existed from 1861 to 1865. The Confederacy was originally formed by seven secessionist slave-holding states—South Carolina, Mississippi, Florida, Alabama, Georgia, Louisiana, and Texas—in the Lower South region of the United States, whose economy was heavily dependent upon agriculture, particularly cotton, and a plantation system that relied upon the labor of African-American slaves.
Each state declared its secession from the United States, which became known as the Union during the ensuing civil war, following the November 1860 election of Republican candidate Abraham Lincoln to the U.S. presidency on a platform which opposed the expansion of slavery into the western territories. Before Lincoln took office in March, a new Confederate government was established in February 1861, which was considered illegal by the government of the United States. States volunteered militia units and the new government hastened to form its own Confederate States Army from scratch practically overnight. After the American Civil War began in April, four slave states of the Upper South—Virginia, Arkansas, Tennessee, and North Carolina—also declared their secession and joined the Confederacy. The Confederacy later accepted Missouri and Kentucky as members, although neither officially declared secession nor were they ever largely controlled by Confederate forces; Confederate shadow governments attempted to control the two states but were later exiled from them.
Though often used in history books to refer to the seven states that originally formed the Confederacy, the term "Deep South" did not come into general usage until long after the Civil War ended. Up until that time, "Lower South" was the primary designation for those states. When "Deep South" first began to gain mainstream currency in print in the middle of the 20th century, it applied to the states and areas of Georgia, southern Alabama, Florida, Mississippi, north Louisiana, and East Texas, all historic areas of cotton plantations and slavery. This was the part of the South many considered the most "Southern."
Later, the general definition expanded to include all of South Carolina, Georgia, Alabama, Mississippi, and Louisiana, and often taking in bordering areas of East Texas and North Florida. In its broadest application today, the Deep South is considered to be "an area roughly coextensive with the old cotton belt from eastern North Carolina through South Carolina west into East Texas, with extensions north and south along the Mississippi."
There was in him a savage honesty, which exercised an uncontrollable domination over him when his heart or head were deeply involved. Thus, at the funeral of some remote kinsman, or of some acquaintance of the family, for whom he had never acquired any considerable affection, he would grow bitterly shamefast if, while listening to the solemn drone of the minister, or the sorrowful chanting of the singers, he felt his face had assumed an expression of unfelt and counterfeited grief: as a consequence he would shift about matter-of-factly, cross his legs, gaze indifferently at the ceiling, or look out of the window with a smile, until he was conscious his conduct had attracted the attention of people, and that they were looking on him with disfavor. Then, he felt a certain grim satisfaction as if, although having lost esteem, he had recorded his life.
The commonness of all things in the earth he remembered with a strange familiarity – he dreamed of the quiet roads, the moonlit woodlands, and he thought that one day he would come to them on foot, and find them unchanged, in all the wonder of recognition. They had existed for him anciently and forever.
At first, the canvas strap of the paper-bag bit cruelly across his slender shoulders. He strained against the galling weight that pulled him earthwards. The first weeks were like a warring nightmare: day after day he fought his way up to liberation. He knew all the sorrow of those who carry weight; he knew, morning by morning, the aerial ecstasy of release. As his load lightened with the progress of his route, his leaning shoulder rose with winged buoyancy, his straining limbs grew light: at the end of his labor his flesh, touched sensuously by fatigue, bounded lightly from the earth.
"He's ready to go," said Gant, "and he's going to the State University, and nowhere else. He'll be given as good an education there as he can get anywhere. Furthermore, he will make friends there who will stand by him the rest of his life." He turned upon his son a glance of bitter reproach. "There are very few boys who have had your chance," said he, "and you ought to be grateful instead of turning up your nose at it. Mark my words, you'll live to see the day when you'll thank me for sending you there. Now, I've given you my last word: you'll go where I send you or you'll go nowhere at all."
Eugene's first year at the university was filled for him with loneliness, pain, and failure. Within three weeks of his matriculation, he had been made the dupe of a half-dozen classic jokes, his ignorance of all campus tradition had been exploited, his gullibility was a byword. He was the greenest of all green Freshmen, past and present: he had listened attentively to a sermon in chapel by a sophomore with false whiskers; he had prepared studiously for an examination on the contents of the college catalogue; and he had been guilty of the inexcusable blunder of making a speech of acceptance on his election, with fifty others, to the literary society. And these buffooneries--a little cruel, but only with the cruelty of vacant laughter, and a part of the schedule of rough humor in an American college--salty, extravagant, and national--opened deep wounds in him, which his companions hardly suspected. He was conspicuous at once not only because of his blunders, but also because of his young wild child's face, and his great raw length of body, with the bounding scissor legs. The undergraduates passed him in grinning clusters: he saluted them obediently, but with a sick heart. And the smug smiling faces of his own classmen, the wiser Freshmen, complacently guiltless of his own mistakes, touched him at moments with insane fury.
In this pastoral setting a young man was enabled to loaf comfortably and delightfully through four luxurious and indolent years. There was, God knows, seclusion enough for monastic scholarship, but the rare romantic quality of the atmosphere , the prodigal opulence of Springtime, thick with flowers and drenched in a fragrant warmth of green shimmering light, quenched pretty thoroughly any incipient rash of bookishness. Instead, they loafed and invited their souls or, with great energy and enthusiasm, promoted the affairs of glee-clubs, athletic teams, class politics, fraternities, debating societies, and dramatic clubs. And they talked--always they talked, under the trees, against the ivied walls, assembled in their rooms, they talked--in limp sprawls--incessant, charming, empty Southern talk; they talked with a large easy fluency about God, the Devil, and philosophy, the girls, politics, athletics, fraternities and the girls--My God! how they talked!
The terrible draught smote him with the speed and power of a man's fist. He was made instantly drunken, and he knew instantly why men drank. It was, he knew, one of the great moments in his life— he lay, greedily watching the mastery of the grape over his virgin flesh, like a girl for the first time in the embrace of her lover. And suddenly, he knew how completely he was his father's son--how completely, and with what added power and exquisite refinement of sensation, was he Gantian. He exulted in the great length of his limbs and his body, through which the mighty liquor could better work its wizardry. In all the earth there was no other like him, no other fitted to be so sublimely and magnificently drunken. It was greater than all the music he had ever heard; it was as great as the highest poetry. Why had he never been told? Why had no one ever written adequately about it? Why, when it was possible to buy a god in a bottle, and drink him off, and become a god oneself, were men not forever drunken?
"I've been given nothing !" said Eugene, his voice mounting with a husky flame of passion. "I'll go bent over no longer in this house. What chance I have I've made for myself in spite of you all, and over your opposition. You sent me away to the university when you could do nothing else, when it would have been a crying disgrace to you among the people in this town if you hadn't. You sent me off after the Leonards had cried me up for three years, and then you sent me a year too soon--before I was sixteen--with a box of sandwiches, two suits of clothes, and instructions to be a good boy."