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403 pages, Paperback
First published January 1, 2008
Stephanie Swainston: The New Weird is a wonderful development in literary fantasy fiction. I would have called it Bright Fantasy, because it is vivid and because it is clever. The New Weird is a kickback against jaded heroic fantasy which has been the only staple for far too long. Instead of stemming from Tolkien, it is influenced by Gormenghast and Viriconium. It is incredibly eclectic, and takes ideas from any source. It borrows from American Indian and Far Eastern mythology rather than European or Norse traditions, but the main influence is modern culture ― street culture ― mixing with ancient mythologies. The text isn’t experimental, but the creatures are. It is amazingly empathic....
The details are jewel-bright, hallucinatory, carefully described. Today’s Tolkienesque fantasy is lazy and broad-brush. Today’s Michael Marshall thrillers rely lazily on brand names. The New Weird attempts to place the reader in a world they do not expect, a world that surprises them ― the reader stares around and sees a vivid world through the detail. These details ― clothing, behaviour, scales and teeth ― are what makes New Weird worlds so much like ours, as recognisable and as well-described. It is visual, and every scene is packed with baroque detail. Nouveau-goths use neon and tinsel as well as black clothes. The New Weird is more multi-spectral than gothic.