Student Quotes
"I have honestly found every week's lecture to be interesting, with something new and unexpected. I will return to the lectures long after the course has finished. It is just the most fantastic thing to be able to learn from an instructor in New York."
- Margarita Crutchley
 assistant, photo library
"Through the course, I have become more aware as a reader. I can still enjoy a good story, yet my attention is now more focused on exactly what is making something work."
- Blair Kraft
 mis administrator
More Student Quotes Here
Ask The Writer

My writing instructor recommends writers avoid using a thesaurus, but I find it's a great way to discover new words. What's wrong with using one?

Your writing instructor isn’t alone in advising writers to stay away from the thesaurus, that mighty tome of words, their synonyms and related concepts. Plenty of writers, including Stephen King, have warned against consulting such resources. Used improperly, the thesaurus can make bad writing even worse. Too often, writers turn to it looking simply to swap one word for another, but words are rarely that interchangeable. When you’re heading out the door, you don’t simply reach in your bin and pluck out any old hat. Operating under that practice, you might end up wearing a floppy straw hat on a day when the temperature plummets below zero, a baseball cap to your sister’s formal wedding, or a bike helmet for a romantic walk on the beach. They’re all head coverings, but they clearly have different uses.

Used carefully, however, the thesaurus can be a great writers’ tool. When searching, consider every aspect of a word, including denotation, the dictionary definition, and connotation, the ideas or emotions suggested by that word. Let’s say I’m looking to replace the word “dim” in this sentence:

She sat in the leather armchair in a dim corner of the study.

Some synonyms simply won’t work in context (black, dusk) and others might sound too formal given the voice (stygian, tenebrific). Some synonyms will skew the scene toward the eerie (gloomy, shadowy), while others will bring out the emptiness (lightless).

Let’s say that I want this image colored with romance. Her lover is watching her from the entryway of the study upon arriving home from a brief trip. I see “moonless” and “starless” associated with “dim,” and those are interesting, but a bit too lonely for my intentions. If my use of the thesaurus stops here—as it does for many writers—I’ll be left with a sentence that still doesn’t quite capture my intentions or, worse, one that brazenly goes against them. But if I keep going, I might end up somewhere promising. The entry “moonless” gives me an idea: “She sat in the leather armchair in a moonlit corner of the study.” I’m not quite there yet, but I’m getting closer, and I might zigzag across the thesaurus looking at several other related listings to find the best fit.

The quality of your thesaurus is going to make a big difference in its usefulness. The bare bones thesaurus on your word processor won’t offer nearly as much opportunity to explore and stumble upon that perfect word as a genuine Roget’s Thesaurus, which provides categories of related words instead of an A to Z listing. According to author Arthur Plotnick, a Roget’s allows writers an adventure: “Traveling from theme to theme, directed by cross-references and other clues, one lives among word families, discovers Shangri-las of exotic terminology, beholds clashes of synonyms and antonyms, and finds adventure even in misused words.” When that perfect word eludes you, a thesaurus may be just the adventure you need to happen upon it.

Our writing expert is Gotham teacher, Brandi Reissenweber. Email your questions to WritingQuestions – at – This piece originally appeared in the Ask the Writer column on the website for The Writer magazine. See more advice from our expert.
BackPrint This Page

Copyright © 1997-2015 Gotham Writers Workshop Inc.™, Gotham Writers Workshop® and Gotham® are
registered trademarks of Gotham Writers Workshop, Inc.