We proudly offer the bios of our accomplished teachers.
wrote the feature screenplay One Crash, Thee Accidents, published in Scenario magazine. His screenplays have won the NYU Waldo Salt Screenwriting Award, the Lew Wasserman Award for Best Comedy, and the National Student Screenplay Competition, and he was chosen for a fellowship by the American Film Institute. He authored the chapter on Tone/Theme in Gotham’s book Writing Movies (Bloomsbury USA). He has taught at NYU and Dartmouth College. He holds a BA from SUNY Purchase and an MFA in Dramatic Writing from NYU.
Brendan Halpin is the author of the novels Dear Catastrophe Waitress, Long Way Back, and Donorboy (all by Villard); the memoirs Losing My Faculties and It Takes a Worried Man (both by Villard); and the author or co-author of eight young adult novels, including Forever Changes (by Farrar, Straus & Giroux), Tessa Masterson Will Go To Prom (Walker Books) and A Really Awesome Mess (Egmont USA) . He holds a BA from the University of Pennsylvania and an MA in Teaching from Tufts University.
Pete Jensen has developed original TV series for diverse production companies and he wrote the feature screenplay Derwin's Shadow, which won a development grant from the Alfred P. Sloan Foundation. He wrote and directed the award-winning short film "Charlie Primitive," which screened at over twenty festivals across the U.S. and Europe. His prose has been published in such literary magazines as Swink. He holds an MFA in Screenwriting and Directing from Columbia University.
wrote the animated feature film Baldy Heights (Bleiberg Entertainment/Pitchipoy Productions), and the TV drama In the Prime of Her Life, which aired on Israel’s public broadcasting station. She has written short films that have been shown at festivals around the world, from the Cannes International Film Festival to the Hong Kong Jewish Film Festival. She has served as story editor on TV shows in development with Sony, ABC, and Happy Madison. She has taught at Columbia University and the New York Independent Film Workshop. She holds a BA from Brown University and an MFA in Film from Columbia University.
G. D. Peters has published fiction in Folio, South Dakota Review, Sulphur River Literary Review, River Oak Review, Lynx Eye, Prairie Winds, The Licking River Review, Nebo,RiverSedge,and Reader’s Break, and he has served as an editor at FICTION. He has taught at The City College of New York and Lehman College. He holds a BA from Binghamton University, a JD from the University of Buffalo, and an MFA in Creative Writing from City College.
David Rice is the author of the novel A Room in Dodge City (Alternating Current Press). His short fiction has appeared in Black Clock, The Rumpus, Hobart, and the New Haven Review, and his book reviews and essays have appeared in The Believer, The Los Angeles Review of Books, The Millions, and Salon. He has taught at Harvard University, Brownstone Tutors, and Smith Street Workshop. He holds a BA from Harvard University.
Nelsie Spencer is the author of the novel The Playgroup, (St. Martin’s Press), and the feature screenplay A Girl's Best Friend. She co-wrote the feature film Valley Inn, which debuted at the Palm Beach International Film Festival. She wrote, produced, and co-hosted the radio show The Radio Ritas, (Greenstone Media). She co-wrote and starred in the play My Heart Belongs To Daddy, produced at the Pittsburgh Public Theater, Dorothy Lyman’s A Director’s Theater in Los Angeles, and at Duke University’s Pre-Broadway series, and her one-woman show Goodbye Cream played at the When I’m 34 Festival in Los Angeles. She studied dance and theater at Orange Coast College, and fiction at The New School.
wrote the feature screenplay, A Modern Affair (distributed by Tara Releasing and In Pictures, video by Columbia Tri-Star). He served as screenwriter-in-residence for Tribe Pictures, and has written screenplays for JEM Entertainment and Primusfilms, among other production companies. His play Pigs and Bugs was originally presented at the Eugene O'Neill Theatre Festival, and has subsequently been produced in Los Angeles and Vermont. His one-person play, Reno, was presented in New York City at the West Bank Cafe and subsequently at several other colleges and performance spaces nationwide. He has published fiction in Confrontation Magazine, and he authored the chapter on Character in Gotham's book Writing Movies (Bloomsbury USA). He received a playwriting grant from the New York Public Theatre and has taught at Hofstra University and St. John's University. Paul holds a BA from Bennington College and an MFA in Playwriting from Yale.