We proudly offer the bios of our accomplished teachers.
Emily Rapp Black is the author of the memoirs The Still Point of the Turning World (Penguin) and Poster Child (Bloomsbury), and she collaborated on the memoir I Should Have Honor by Khalida Brohl (Random House). Her work has appeared in The New York Times, The Los Angeles Times, the Boston Globe, Salon, VOGUE, O the Oprah Magazine, among other places. A former Fulbright scholar, she is the recipient of a Rona Jaffe Foundation Writer's Award and a 2017 Guggenheim Fellowship. She is Associate Professor in the University of California-Riverside Creative Writing Program and at the UCR School of Medicine. She holds a BA from Saint Olaf College, an MTS from Harvard University, and an MFA in Fiction and Poetry from the University of Texas.
Nina Boutsikaris is the author of the memoir I’m Trying to Tell You I’m Sorry (Black Lawrence Press), and her essays have appeared in Brevity, Entropy, Fourth Genre, Third Coast, Hobart, the Los Angeles Review, the Mid-American Review, and Redivider, among many others. Her work has been anthologized in The Best of Brevity: Twenty Groundbreaking Years of Flash Nonfiction, and named a Notable Essay by the editors of the Best American Essays series. She has worked at Ms. magazine, the Sonora Review, Riffle Books, and Skyhorse Publishing. She has taught at the University of Arizona and the New School, and been a teaching fellow at the Kenyon Review Writers Workshop. She holds a BA from Ithaca College and an MFA in Creative Nonfiction from the University of Arizona.
Carmen Bugan is the author of the memoir Burying the Typewriter: Childhood Under the Eye of the Secret Police (MacMillan/Picador and Graywolf Press). She is also the author of the poetry collections Lillies from America, Releasing the Porcelain Birds, The House of Straw ( all Shearsman Books), and Crossing the Carpathians (Carcanet Press). Her poems and essays have appeared in the Irish Times, the Harvard Review, the International Literature Quarterly, the Nieman Storyboard at Harvard University, and in the anthologies Centres of Catacylsm (Bloodaxe Books), See How I Land: Oxford Poets and Exiled Writers (Heaven Tree Press), and Penguin’s Poems for Life (Penguin Hardback Classics). She has taught at Grand Valley State University in Michigan, the University of Fribourg in Switzerland, the Geneva Writers’ Group, and Oxford University. She holds a BA from the University of Michigan, an MA in Creative Writing from Lancaster University, and a Master’s and Ph.D, both in English Literature, from Oxford University.
Kelly Caldwell has written for Vox, Pacific Standard, Entropy, New York Newsday, House Beautiful, Time Out New York, The Writer, and Essay Daily, among many others. One of her essays was named a Notable Essay by the editors of the Best American Essays series and anthologized in If These Walls Could Talk: Thoughts of Home. She is also dean of faculty at Gotham Writers Workshop. She holds a BJ from the University of Missouri and an MS from Columbia University.
Marie Carter is the author of the novel Holly's Hurricane (Grace Goodrich Press) and the memoir The Trapeze Diaries (Hanging Loose Press). Her work has been published in the Brooklyn Rail, Bloom, Spectacle, Turntable + Bluelight, and in the anthology Best Creative Nonfiction (W.W. Norton). She serves as associate editor of Hanging Loose Press, where she has edited the anthologies Word Jig and Voices of the City. She holds an MA in English Literature from Edinburgh University.
Elizabeth Cohen is the author of the memoir The Family On Beartown Road (Random House), the short story collection The Hypothetical Girl (Split Oak Press), the poetry collections The Economist's Daughter (Ecstatic Utterance) and What the Trees Said (Split Oak Press), and co-author of the nonfiction book The Scalpel and the Silver Bear (Bantam). Her essays, articles, and poetry have appeared in Newsweek, People, the New York Times Magazine, Yale Review, among others. She has taught at Binghamton University, University of New Mexico, the New School for Social Research, and Western Connecticut State University. She holds a BA from University of New Mexico, an MA in Documentary Filmmaking from Temple University, and an MFA in Poetry from Columbia University.
Anita Diggs is co-author, with Ida Keeling, of the memoir Can't Nothing Bring Me Down: Chasing Myself in the Race Against Time (Zondervan). She is the author of four novels, including A Meeting in the Ladies Room, (Kensington Books), and the nonfiction book Talking Drums: An African-American Quote Collection (St. Martin’s Press). She has also served as senior editor and director of One World Books for Ballantine/Random House. She has taught for Salem College in Winston-Salem, North Carolina. She holds a BA from the State University of New York/Empire State College and an MFA in Creative Writing/Memoir from Hunter College.
Blaise Allysen Kearsley is the creator, producer, and host of the How I Learned storytelling series, and has performed stories for The MOTH, The Soundtrack Series, and Literary Death Match, among other series. Her photography and essays have appeared in Longreads, Elle, New York magazine, Gothamist, VICE magazine, Gawker, Playbill, Midnight Breakfast, and The Weeklings. She has contributed to the anthologies Mortified: Real Words. Real People. Real Pathetic. (Simon Spotlight Entertainment) and Cringe: Teenage Diaries, Journals, Notes, Letters, Poems, And Abandoned Rock Operas (Crown Archetype). She holds a BA from Bennington College.
Kim Liao has published short memoir, personal essays, fiction, and creative nonfiction in The Millions, The Rumpus, Salon, Lit Hub, Another Chicago Magazine, River Teeth’s “Beautiful Things” column, Vol. 1 Brooklyn, Fourth River, Fringe, and Hippocampus, among others. She is the recipient of a Fulbright Creative Arts Research Fellowship. She wrote the Girl Meets Formosa blog about travel, history, food, culture, and family secrets in Taiwan. She also edited Vernacular, an ensemble blog about the Boston literary community, and served as the nonfiction editor of the literary journal Redivider and a prose reader at Black Lawrence Press. She has taught at Lost Lit and Emerson College. She holds a BA from Stanford University and an MFA in Creative Writing from Emerson College.
Joselin Linder is the author of the memoir The Family Gene (Ecco/Harper Collins), and co author of the nonfiction books The Gamification Revolution (McGraw Hill), Game-Based Marketing (Wiley and Sons), and The Good Girl’s Guide to Living in Sin: The New Rules for Moving in With Your Man (Adams Media). She is also co-author of the humor books The Stoned Family Robinson (Adams Media) and The Purity Test: Your Filth and Depravity Cheerfully Exposed by 2,000 Nosy Questions (St. Martin’s Press). Her journalism and essays have appeared in Elle, This American Life, NPR’s Morning Edition, StoryCollider, Life of the Law, and The New York Post, among many others. She holds a BA from Tufts University.
Nan Mooney is the author of the memoir My Racing Heart: The Passionate World of Thoroughbreds and the Track (HarperCollins), and the nonfiction books (Not) Keeping Up With Our Parents (Beacon Press) and I Can't Believe She Did That: Why Women Betray Other Women at Work (St. Martin's Press). Her work has also appeared in such publications as the Washington Post, the New York Daily News, Slate, the Seattle Weekly, and Hamptons Jitney Magazine. She holds a BA from Scripps College.
N. West Moss is the author of the short-story collection The Subway Stops at Bryant Park (Leapfrog Press), and her fiction has been published in McSweeney’s, the New World Review, The Saturday Evening Post, Cahoodaloodaling, The Stockholm Review, Salt,Blotter Magazine, and The Westchester Review, among many others. Her creative nonfiction has appeared in Salon, The New York Times, Brevity, Memoir Journal, Sou-Wester, Ars Medica, and Hospital Drive Magazine, among others. She has been a visiting scholar at the University of Virginia School of Medicine, and taught at William Paterson University, Montclair State University, and Passaic County Community College. She holds a BA from Sarah Lawrence College, a Master of Secondary Education from Mercy College, and an MFA in Creative Writing from William Paterson University.
Stacy Pershall is the author of the memoir Loud in the House of Myself (W.W. Norton), selected for the Barnes and Noble Discover Great New Writers Program, and her work is included in the anthologies Lost and Found (W.W. Norton) and Spent (Seal Press). She has taught at Writopia, Pratt Manhattan, City College of New York, and the Johns Hopkins Center for Talented Youth. She holds a BA from the University of Arkansas and an MFA in Performance Art from the University of Cincinnati.
Melissa Petro has published essays, articles, and criticism in Allure, Business Insider, Cosmopolitan, Good Housekeeping, the Guardian, InStyle, the Kitchn, Marie Claire, Narratively, New York Magazine, Pacific Standard magazine, Real Simple, Salon, the Washington Post, and the Writer magazine, among many others. She is the editor of two anthologies: Pros(e): Writings by Individuals with Experiences in the Sex Industries and Corner Stories: Writings by the Washington Heights CORNER Project Community. She has been a finalist for the PEN/Fusion Emerging Writers Prize. She holds a BA from Antioch and an MFA in Creative Nonfiction from the New School.
Jil Picariello is the co-author of the memoir Jessica Lost (Union Square Press). She is the Theater Editor for ZealNYC, and her work has appeared in Afar, Food + Wine, New York magazine, Seventeen magazine, and USA Today, among many others. She’s worked as a copywriter for New York magazine and People, as copy chief for The Parenting Group at Time Warner, and as copy director for Reader’s Digest. She has taught at Media Bistro. She holds a BFA from New York University and an MFA in creative writing from The New School.
Julie Powell is the author of the memoirs Julie And Julia (Little, Brown and Company) and Cleaving (Back Bay Books). Her work has appeared in the New York Times Magazine, Bon Appetit and Slate, among others, and anthologized in Altared and Behind The Bedroom Door. Two of her essays have been included in the Best Food Writing series and won James Beard Awards for Magazine writing. She holds a B.A. from Amherst College.
Jon Reiner is the author of the memoir The Man Who Couldn’t Eat (Gallery Books/Simon & Schuster), based on his James Beard Award-winning story in Esquire. His nonfiction has appeared in The Atlantic, The New York Times, The Daily Beast, Creative Nonfiction, The Huffington Post, Graze, Slice, and on NPR, and his humor has been published by The New York Times, The Satirist, and Medium. He also co-wrote and directed the documentary film Tree Man, which was a selection of the Doc NYC, St. Lawrence, and World film festivals and which is now available on Netflix. He served as a communications executive for Sony, American Express, The John F. Kennedy Center for the Performing Arts and several global public relations and marketing agencies. He has taught at the University of Maryland and Rutgers University. He holds a BA from Fairleigh Dickinson University and an MA in English from the University of Maryland.
David Seigerman is the author of the nonfiction books Becky Sauerbrunn and Tamba Hali (both Aladdin), and the co-author of Take Your Eye Off the Ball, Under Pressure, and Quarterback (all with Triumph Books). He writes for the Newbridge Marketing Group and has written blogs and articles for numerous corporate clients, including Polo and Barnes & Noble. He has served as a senior producer for RealFootballNetwork, a senior analyst for Football.com, managing editor of College Sports Television, and a producer/writer for CNN-Sports Illustrated. He co-produced and co-wrote the feature-length documentary The Warrior Ethos: The Experience and Tradition of Boxing at West Point. He holds a BA from Ithaca College.
Nelsie Spencer is the author of the novel The Playgroup, (St. Martin’s Press), and the feature screenplay A Girl's Best Friend. She co-wrote the feature film Valley Inn, which debuted at the Palm Beach International Film Festival. She wrote, produced, and co-hosted the radio show The Radio Ritas, (Greenstone Media) and hosts the podcast Losing It. She co-wrote and starred in the play My Heart Belongs To Daddy, produced at the Pittsburgh Public Theater, Dorothy Lyman’s A Director’s Theater in Los Angeles, and at Duke University’s Pre-Broadway series, and her one-woman show Goodbye Cream played at the When I’m 34 Festival in Los Angeles. She studied dance and theater at Orange Coast College, and fiction at The New School.
Cullen Thomas is the author of the memoir Brother One Cell (Viking). His work has also appeared in the New York Times Magazine, the Washington Post, The Daily Beast, Salon, The Rumpus, The Sonora Review, World Hum, Current Biography, and Penthouse. He holds a BA from Binghamton University.