We proudly offer the bios of our accomplished teachers.
James Bosley wrote the feature screenplay Fun, adapted from his stage play of the same name, which was released commercially and played at the Sundance and Toronto film festivals and for which he was nominated for an IFP Spirit Award for Best First Screenplay. His plays have been staged at the MCC Theatre, Eugene O'Neill Playwrights Conference, Emerging Artists, UP Theater, the Williamstown Theatre Fringe Festival, and many theaters abroad in a variety of translations. He is artistic director of UP Theater Company. He has taught at Manhattan College, the Broadway Theater Institute, and Long Island University. He holds a BA from Queens College and an MFA in Dramatic Writing from New York University.
was artistic director of Cucaracha Theater in New York where he produced numerous new works and directed many of his own plays, including Homo Sapien Shuffle at the Public Theatre. He wrote the book, lyrics, music, and directed MoM: A Rock Concert Musical, which won “Outstanding Musical” at the New York International Fringe Festival. He is the author of numerous plays, including Rodents & Radios and Gladiatoris. He wrote the screenplay adaptation to Will Scheffer's play Easter and directed the feature film. He has taught at NYU, Columbia University, The City College of New York, C.W. Post College, Hunter College, and the National Theater Conservatory. He holds a BA from Bard College and attended the Yale School of Drama and the New York Film Academy.
has had plays produced at numerous theaters, including Shame and Desire (Stella Adler Theatre), The Man From Brazoria County (ALAP New Works Lab), The Moving Forward of Souls (Coronet Theater), and Anger (Elephant Theatre). His feature screenplays include Used Books, which was developed with actor/producer LeVar Burton (Eagle Nation Films), and The Sea Between, commissioned by producer Elizabeth Kahn (Forever After Project, Inc.). He holds a BA from University of California, San Diego, and an MFA in Film from USC.
Edward Einhorn is the author of the picture books A Very Improbable Story and Fractions In Disguise, (both Charlesbridge Press), and the middle-grade novels The Living House of Oz and Paradox In Oz, (both Hungry Tiger Press). His plays have been produced at many theaters, including: City of Glass (New Ohio), The Velvet Oratorio (The Walter Bruno Theater at Lincoln Center), Fairy Tales of the Absurd (Theater 80), Unauthorized Magic in Oz (St. Ann’s Warehouse), Doctors Jane & Alexander (Theater 5), and The Living Methuselah (Theater 22). He is the artistic director of Untitled Theater Co. #61. He holds a BA from The Johns Hopkins University.
wrote the feature screenplay One Crash, Thee Accidents, published in Scenario magazine. His screenplays have won the NYU Waldo Salt Screenwriting Award, the Lew Wasserman Award for Best Comedy, and the National Student Screenplay Competition, and he was chosen for a fellowship by the American Film Institute. He authored the chapter on Tone/Theme in Gotham’s book Writing Movies (Bloomsbury USA). He has taught at NYU and Dartmouth College. He holds a BA from SUNY Purchase and an MFA in Dramatic Writing from NYU.
wrote the animated feature film Baldy Heights (Bleiberg Entertainment/Pitchipoy Productions), and the TV drama In the Prime of Her Life, which aired on Israel’s public broadcasting station. She has written short films that have been shown at festivals around the world, from the Cannes International Film Festival to the Hong Kong Jewish Film Festival. She has served as story editor on TV shows in development with Sony, ABC, and Happy Madison. She has taught at Columbia University and the New York Independent Film Workshop. She holds a BA from Brown University and an MFA in Film from Columbia University.
wrote the feature screenplay, A Modern Affair (distributed by Tara Releasing and In Pictures, video by Columbia Tri-Star). He served as screenwriter-in-residence for Tribe Pictures, and has written screenplays for JEM Entertainment and Primusfilms, among other production companies. His play Pigs and Bugs was originally presented at the Eugene O'Neill Theatre Festival, and has subsequently been produced in Los Angeles and Vermont. His one-person play, Reno, was presented in New York City at the West Bank Cafe and subsequently at several other colleges and performance spaces nationwide. He has published fiction in Confrontation Magazine, and he authored the chapter on Character in Gotham's book Writing Movies (Bloomsbury USA). He received a playwriting grant from the New York Public Theatre and has taught at Hofstra University and St. John's University. Paul holds a BA from Bennington College and an MFA in Playwriting from Yale.