We proudly offer the bios of our accomplished teachers.
Kate Angus is a founding editor of Augury Books and is Creative Writing Advisory Board Member for The Mayapple Center for Arts and Humanities. Her poetry and prose have appeared in Indiana Review, The Rumpus, Barrow Street, Subtropics, The Awl, The Hairpin, Gulf Coast, Court Green, Third Coast, Verse Daily, and Best New Poets 2010, among others. She has taught at the Notre Dame School, The New School, LIM College, and Interlochen Center for the Arts. She holds a BA from Brown University and an MFA in Poetry from The New School.
Jennifer Keishin Armstrong is the co-founder and editor of the website Sexy Feminist, and co-author of the nonfiction book Sexy Feminism (Mariner Books) and author of the nonfiction books Mary and Lou and Rhoda and Ted (Simon & Schuster) and Why? Because We Still Like You (Grand Central Publishing). She served as senior writer for Entertainment Weekly, and she has written for the BBC online, Glamour, Salon, A.V. Club, Details, O, New York‘s Vulture, as well as numerous daily newspapers. Her work is included in the anthologies Altared and Coffee At Luke's. She holds a BS from Northwestern University.
Susan Breen is the author of the novel The Fiction Class (Plume and Headline Review UK), and the Maggie Dove series of mystery books (Random House Alibi). She has published short fiction in American Literary Review, Chattahoochee Review, Nebraska Quarterly, North Dakota Quarterly, anderbo, and Ellery Queen Mystery Magazine. She holds a BA from the University of Rochester and an MFA from Columbia University.
Sarah Bruni is the author of the novel The Night Gwen Stacy Died (Houghton Mifflin Harcourt). She has taught at Washington University in St. Louis. She holds a BA from the University of Iowa and an MFA in Fiction Writing from Washington University in St. Louis.
Carole Bugge is the author of the novels The Star of India, (re-released by Titan Press), The Haunting of Torre Abbey (St. Martin's Press), as well as Who Killed Blanche Dubois?, Who Killed Dorian Gray?, Who Killed Mona Lisa? (all with Berkely Prime Crime for the Claire Rawlings mystery series), and, under the pen name C.E. Lawrence, Silent Screams, Silent Victim, Silent Kills, and Silent Slaughter (a thriller series from Kensington Publishing). Her short fiction has appeared in anthologies from St. Martin’s Press, Doubleday, and the Mystery Writers of America. Her plays and musicals have been presented regionally and in New York City. She has taught at NYU, Duke University, the Royal Court Repertory Theatre, and the American Comedy Institute. Carole holds a BA from Duke University.
Marie Carter is the author of the memoir The Trapeze Diaries (Hanging Loose Press). Her work has been published in the Brooklyn Rail, Bloom, Spectacle, Turntable + Bluelight, and in the anthology Best Creative Nonfiction (W.W. Norton). She serves as associate editor of Hanging Loose Press, where she has edited the anthologies Word Jig and Voices of the City. She holds an MA in English Literature from Edinburgh University.
is the author of the novels Redemption (Simon & Schuster), Deadly (Athaneum), and Into The Dangerous World (Viking). She has published fiction in the Prague Review and the anthology Kraj Majales, and nonfiction in Hudson Valley Magazine, the Poughkeepsie Journal, and the Prague Post, among many others, and has also written for SundanceTV. She is a winner of the American Book Award.
Roohi Choudhry has published fiction and nonfiction in the Kenyon Review, the Rumpus, Callaloo, Bitch, Hyphen, Desilicious, Fiction Writers Review, and the anthology 21 Under 40. She has taught at the University of Michigan and led workshops for the New York Writers’ Coalition. She holds a BSc from Lahore University of Management Sciences, an MS in Marketing Research from the University of Texas at Arlington, and an MFA in Creative Writing from the University of Michigan.
is the author of the novels The Other Side of the Game, A Meeting in the Ladies Room, and A Mighty Love (all Kensington Books), and of the nonfiction books Barrier Breaking Resumes and Interviews (Times Books/Random House), Staying Married, (Kensington Books), and Talking Drums (St. Martin’s Press). As an editor and senior editor at Time Warner Publishing, Thunder’s Mouth Press, and Random House, she acquired and edited both fiction and memoir. She holds a BA from the State University of New York/Empire State College and an MFA in Creative Writing/Memoir from Hunter College.
BC Edwards is the author of the short story collection The Aversive Clause (Black Lawrence Press/Dzanc) and the poetry collections From the Standard Cyclopedia of Recipes (Black Lawrence Press/Dzanc), and To Mend Small Children (Augury Books), and his work is included in the anthologies Diving Divas and Zombiality. He has published poetry, fiction, and nonfiction in The New York Times Magazine, La Petite Zine, Freerange Nonfiction, Sink Review, Pax Americana, and Brooklyn Rail. He has served as an executive producer at the Upright Citizens Brigade Theater in New York, and has been awarded a New York Foundation for the Arts Artists' Fellowship in poetry. He holds a BA from Reed College and an MFA in Creative Writing from the New School.
Edward Einhorn is the author of the picture books A Very Improbable Story and Fractions In Disguise, (both Charlesbridge Press), and the middle-grade novels The Living House of Oz and Paradox In Oz, (both Hungry Tiger Press). His plays have been produced at many theaters, including: City of Glass (New Ohio), The Velvet Oratorio (The Walter Bruno Theater at Lincoln Center), Fairy Tales of the Absurd (Theater 80), Unauthorized Magic in Oz (St. Ann’s Warehouse), Doctors Jane & Alexander (Theater 5), and The Living Methuselah (Theater 22). He is the artistic director of Untitled Theater Co. #61. He holds a BA from The Johns Hopkins University.
Janet Flora has published nonfiction in Yalabusha Review, Willow Review, Health Magazine, Salon News, Dramatics, Dan's Papers, and Makeup Artist Magazine, and she served as nonfiction editor of LIT. Her short fiction has been published in NDQ, New Orleans Review, and Hawaii Pacific Review. She has taught at NYU and the School of Visual Arts. She holds a BA from City University, Richmond College, and an MFA in Creative Nonfiction from the New School University.
James Bernard Frost
is the author of the novels A Very Minor Prophet (Hawthorne Books) and World Leader Pretend (St. Martin’s Press), and the travel guide The Artichoke Trail (Hunter Publishing), which won the Lowell Thomas Bronze Award for Best Travel Guide. His articles and essays have appeared in The Nervous Breakdown, Role/Reboot, Trachodon Magazine, The San Francisco Bay Guardian, and the Farallon Review. He has been a contributor to the San Francisco Examiner and Wired Online, where he wrote food, travel, and culture reviews. He holds a BS from Santa Clara University and an MFA in Creative Writing from the University of San Francisco.
Britt Gambino has published poetry in Armchair/Shotgun, anderbo, The Boiler, decomP, and Springgun Press, among others. She previously served as a contributing writer at The Sexy Feminist blog and as an Associate Poetry Editor at The Doctor T.J. Eckleberg Review. She has taught at Education Unlimited, Brooklyn Brainery, and 826NYC. She holds a BA from Drew University and an MFA in Poetry from The New School.
is the author of the novels Some Other World, Maybe (St. Martins), Family and Other Accidents (Random House) and 100 Days of Cake (Atheneum
Books for Young Readers). She has published fiction in Indiana Review, Prism International, Beacon Street Review, and Wascana Review, and she has published articles in the National Enquirer, Complete Woman, teenStyle, Ohioana, and Restaurants and Institutions. She has taught at Ohio State University. She holds a BSJ from Northwestern University and an MFA in Fiction from Ohio State University.
Tamara Guirado has published fiction in StoryQuartlerly, Best New American Voices, Rainbow Curve, Comet Magazine, and 580 Split. She has taught at Kansas State University, University of Wisconsin, and the Academy of Art in San Francisco. She holds a BS from Southern Oregon State University and an MFA from Mills College, and she was a Wallace Stegner Fiction Fellow at Stanford University.
Shahnaz Habib has published fiction and nonfiction in the anthologies Twentysomething Essays by Twentysomething Writers (Random House) and 21 Under 40 (Zubaan). She is a regular contributor to the New Yorker online, the Guardian, and Of Note magazine. Her work has also appeared in Afar magazine, Brevity, and Laundry, among many others. She has been awarded a New York Foundation for the Arts Artists' Fellowship in Nonfiction Literature. She holds a BA from Mahatma Gandhi University, an MA in English Literature from the University of Delhi, and an MA in Media Studies from the New School.
Masha Hamilton is the author of five novels: 31 Hours, What Changes Everything, and The Distance Between Us (all Unbridled Books), The Camel Bookmobile (HarperCollins), and Staircase of a Thousand Steps (BlueHen/Penguin Putnam Publishing Group). As a journalist, she worked for the AP in Israel, as the Moscow correspondent for the Los Angeles Times, and she wrote a column on Moscow for U.S. newspapers, including the Chicago Sun-Times, the Dallas Morning News and the Miami Herald. She is the founder of the Afghan Women Writers Workshop, and is formerly the Director of Communications and Public Diplomacy at the U.S. Embassy in Kabul, Afghanistan. She holds a BA from Brown University.
Pamela Harris created Married by the Hour, a half-hour comedy (Howard Stern Productions) and served as a staff writer for Life on the Line, a one-hour drama (Oxygen Network). She has also written and optioned feature screenplays. She is an award-winning visual artist and has shown her art all over the U.S. She holds a BFA from the Hartford Art School.
is the author of the novel In the Course of Human Events (Soft Skull Press). His fiction has appeared in Zoetrope All-Story, Alaska Quarterly Review, and Mississippi Review, and his nonfiction has appeared in Salon, The Believer, Esquire, and Poets & Writers. He has also served as the Deputy Reviews Editor at Publishers Weekly. He also teaches at Columbia University. He holds a BS from the University of Central Missouri and an MFA in Creative Writing from Columbia University.
John Oliver Hodges is the author of the short-story collection The Love Box (Livingston Press) and the novella War of the Crazies (Main Street Rag). His short stories and poetry have appeared in numerous literary magazines, including StoryQuarterly, The Literary Review, Swink, Chiron Review, and Rattle. He has taught at FSU, the University of Mississippi, Montclair, and the Sewanee Young Writers’ Conference. He holds a BA and an MA in Creative Writing from FSU, and an MFA in Creative Writing from the University of Mississippi.
Meghan Kenny has published fiction in The Kenyon Review, Iowa Review, Gettysburg Review, Cimarron Review, Sonora Review, Bound Off, and The Florida Review. She has taught at Boise State University, The Cabin Literary Center, for the Writers in the Schools Program in Idaho, and at the Gilman School as a Tickner Writing Fellow. She holds a BA from Kenyon College and an MFA in Fiction from Boise State University.
Michael Leviton is the author of the children's picture book My First Ghost (Hyperion). He has published numerous illustrated paperbacks for Scholastic's READ 180 Literacy Program, and has worked as a celebrity picture book ghostwriter at HarperCollins. He has contributed music to the HBO series Bored To Death, published nonfiction in the New York Times' Modern Love column, appeared on the radio program This American Life, and worked as a screenwriter at RKO Pictures. He guest-lectures at the Parsons Pre-College Academy. He holds a BA from Wesleyan University.
Chip Livingston is the author of the story collection The Naming Ceremony (Lethe Press, 2014) and the poetry collections Crow-Blue, Crow-Black (New York Quarterly Books) and Museum of False Starts (Gival Press). His fiction and non-fiction are also widely published, in journals including Ploughshares, Cincinnati Review, Potomac Review, Court Green, Subtropics, and Crazyhorse. He has taught writing at the University of the Virgin Islands, the University of Colorado and Brooklyn College. He holds a BS and a BA in English from the University of Florida, an MA in Fiction Writing from the University of Colorado, and an MFA in Poetry Writing from Brooklyn College.
T Kira Madden has published in or has work forthcoming in The Kenyon Review, Tin House online, Cosmonauts Avenue, Puerto del Sol, Hyphen, Fourteen Hills, and elimae, among others. She is the founding editor in chief of the literary journal No Tokens. She holds a BBA from Parsons School of Design & Eugene Lang College and an MFA in Fiction from Sarah Lawrence College.
Zachary Martin has published fiction, essays, and humor in Washington Square, Louisville Review, Fourth Genre, Lumina, Southeast Review, and McSweeney’s Internet Tendency. He is an assistant fiction editor at Narrative and has taught at the College of Staten Island. He holds a BA from the University of Chicago and an MA in Fiction from Florida State University.
Thaïs Miller is the author of the novel Our Machinery and the short story collection The Subconscious Mutiny and Other Stories (both Brown Paper Publishing). Her fiction and poetry have appeared in Nautilus, Bleak House Review, AmLit, and the anthology Lethal Rejection (Carolina Academic Press). She holds a BA from American University and an MA in Creative Writing for Social Activism from NYU.
Michael Montlack is the author of the poetry collection Cool Limbo (New York Quarterly Books), the chapbooks Cover Charge (Gertrude Press), Girls, Girls, Girls (Pudding House), and The Slip (Poets Wear Prada), and editor of the anthologies My Diva (University of Wisconsin Press) and Divining Divas (Lethe Press). He has published poetry in New York Quarterly, Cimarron Review, Poet Lore, Court Green, Cream City Review, and MiPOesias, among others, and he is an associate editor for Mudfish. He holds a BA from Hofstra University, an MFA from the New School, and an MA from San Francisco State University, all in Creative Writing and Literature.
Kate Moses is the author of the novel Wintering: A Novel of Sylvia Plath (St. Martins Press), a Barnes & Noble Discover New Writers pick and winner of the Janet Heidinger Kafka Prize, and of the memoir Cakewalk (The Dial Press). She co-edited the essay anthologies Mothers Who Think: Tales of Real-Life Parenthood (Washington Square Press/Pocket Books), which won the American Book Award, and Because I Said So: 33 Mothers Write About Children, Sex, Men, Aging, Faith, Race & Themselves (HarperCollins). She was a founding senior editor and writer for Salon, and her essays and articles have appeared in The American Scholar, Good Housekeeping, the Guardian, the Hungry Mind Review, Narrative magazine, SF magazine, NPR’s Snap Judgment, and Time, and anthologized in Bad Girls: 26 Writers Misbehave (W.W. Norton) and Truthful Fictions: Conversations with American Biographical Novelists, among numerous others. She has taught at the State University of New York—Plattsburgh, the University of San Francisco, San Francisco State University, and the University of the Pacific. She holds a BA from the University of the Pacific and an MFA in Fiction from San Francisco State University.
Francesca Ochoa has published fiction and nonfiction in This, That, Those; Art XX; and Aorta. She is the author of chapbooks Love/ Smut and Pictograph, and she has served as editor at Apogee Journal. She holds a BA from the University of California, San Diego and an MFA in Fiction from Columbia University.
Betsey Odell is the author of the novel Deep Water (Sapphire Books) and the essay “Naked in Bohemia” in the anthology Travelers Tales Prague and the Czech Republic (Travelers’ Tales Guides). She has published nonfiction in Preserving Your Memory, of which she was editor-in-chief, and Yellow Rat Bastard. She has taught at Randolph-Macon College. She holds a BA from Randolph-Macon College.
G. D. Peters has published fiction in Folio, South Dakota Review, Sulphur River Literary Review, River Oak Review, Lynx Eye, Prairie Winds, The Licking River Review, Nebo,RiverSedge,and Reader’s Break, and he has served as an editor at FICTION. He has taught at The City College of New York and Lehman College. He holds a BA from Binghamton University, a JD from the University of Buffalo, and an MFA in Creative Writing from City College.
Melissa Petro has published nonfiction in Cosmopolitan, New York Magazine, Poets & Writers, Salon, Daily Beast, Narratively, Jezebel, xoJane, Frisky, The Fix, and Rumpus. She is the editor of two anthologies: Pros(e): Writings by Individuals with Experiences in the Sex Industries and Corner Stories: Writings by the Washington Heights CORNER Project Community. She is a PEN/Fusion Emerging Writers Prize finalist. She holds a BA from Antioch, an MS in Education from Fordham, and an MFA in Creative Nonfiction from the New School.
is the author of the novel Sunday’s on the Phone to Monday (Simon & Schuster), and the poetry chapbooks Too Animal, Not Enough Machine (Sundress Publications) and Mano a Mano: Or Relationship Neither Here Nor There (Shoe Music Press). She has written young adult e-books for the Sh! Pass It On series (Palindrome Media). Her short fiction and poetry have appeared in the Adirondack Review, the Brooklyn Review, FriGG, and Lifelines, among many others. A one-time Intel Science Talent Search National Semi-Finalist, she has taught at Sarah Lawrence College, the Dalton School, and the Collegiate School. She holds a BA from Bucknell University and an MFA in English from Sarah Lawrence College.
Robert Repino is the author of the novel Mort(e) (Soho Press) and the novella Leap High Yahoo (Kindle Singles). He has published fiction in Literary Review, Coachella Review, Wild Violet, Juked Nickel Steak, Knee Jerk, Night Train, Hobart, Ghoti, Furnace Review, and Word Riot. He has served as an editor with the Oxford University Press. He holds a BA from St. Joseph’s University and an MFA in Creative Writing from Emerson College.
David Rice is the author of the novel A Room in Dodge City (Alternating Current Press). His short fiction has appeared in Black Clock, The Rumpus, Hobart, and the New Haven Review, and his book reviews and essays have appeared in The Believer, The Los Angeles Review of Books, The Millions, and Salon. He has taught at Harvard University, Brownstone Tutors, and Smith Street Workshop. He holds a BA from Harvard University.
Alexis Schaitkin has published fiction and nonfiction in Southern Review, Southwest Review, Crab Orchard Review, Gastronomica, the New York Times, and Ecotone. She has served as an editor with Meridian. She has taught at the University of Virginia and WriterHouse. She holds an AB from Princeton University and an MFA in Creative Writing from the University of Virginia.
Alanna Schubach has published essays, articles, and criticism in The Atlantic, Refinery 29, The Village Voice, and the LA Review of Books, among many others. Her fiction has appeared in the Bellevue Literary Review, Post Road, the Lifted Brow, and Prick of the Spindle. She has taught at the Japan Exchange and Teaching Program, the College Readiness Program, the Westchester County Department of Corrections, and Girls Write Now. She holds a BA from American University and an MFA in Fiction from Sarah Lawrence College.
is the author of the short-story collection The Other One (University of Massachusetts Press) and has published fiction in Kenyon Review, Glimmer Train, Epoch, StoryQuarterly, Narrative, among many others. Her work has won the Juniper Prize, been named a notable story by Best American Short Stories in 2011 and 2012, and anthologized in Best New American Voices. She is an associate fiction editor at West Branch literary magazine. She has taught at the City College New York. She holds a BA from the University of North Carolina Chapel Hill and an MFA in Creative Writing from City College New York.
Nelsie Spencer is the author of the novel The Playgroup, (St. Martin’s Press), and the feature screenplay A Girl's Best Friend. She co-wrote the feature film Valley Inn, which debuted at the Palm Beach International Film Festival. She wrote, produced, and co-hosted the radio show The Radio Ritas, (Greenstone Media). She co-wrote and starred in the play My Heart Belongs To Daddy, produced at the Pittsburgh Public Theater, Dorothy Lyman’s A Director’s Theater in Los Angeles, and at Duke University’s Pre-Broadway series, and her one-woman show Goodbye Cream played at the When I’m 34 Festival in Los Angeles. She studied dance and theater at Orange Coast College, and fiction at The New School.
is the culinary travel editor for About.com, as well as a contributor to Perceptive Travel and the USA Today Travel Alliance. She has published articles and essays in the Atlantic Monthly’s Food Channel, Business Traveler, BusinessWeek, the Chicago Tribune, the Christian Science Monitor, Fast Company, Glamour, Ladies’ Home Journal, Luxist, Men’s Journal, Money, Mother Jones, New York Magazine, Psychology Today, Robb Report, Sierra Magazine, The Smart Set, The Street, the Toronto Star, US Air magazine, the Washington Post, and World Hum. She is the author of the books Like Riding a Bike: On Learning as an Adult (Curious World Books), Americans at Play, and Best of Health (both New Strategist), and her work is included in Best Women’s Travel Writing 2010 (Traveler’s Tales). She holds a BA from Cortland College.
Emily Taylor has published fiction in Inkwell, Crate, Baltimore Review, Green Mountains Review, Lost, and Hobart, and she served as the prose editor for LIT. She holds a BA from Colgate and an MFA in Creative Writing from the New School.
is the author of the novel And Then Things Fall Apart (Simon & Schuster). Her short fiction and nonfiction have appeared in One Story, McSweeney's Internet Tendency, the Madison Review, and The Dinner Party Download on NPR. She holds a BA from the University of Wisconsin, Madison, and an MFA in fiction from Columbia University.
Laura Yeager is the author of the short story collection First Aid and Other Stories (Iowa State) and she has published fiction in such magazines as Paris Review, Missouri Review, North American Review, Ohio Short Fiction, and Kaleidoscope. She has taught at Kent State University, Walsh University, Malone College, and Rhode Island School of Design. Laura holds a BA from Oberlin College, an MA in English from Iowa State University, and an MFA in English from the University of Iowa.
Irene Zabytko is the author of the novel The Sky Unwashed (Algonquin), and the short story collection When Luba Leaves Home (Algonquin). Her short fiction has appeared in numerous journals and anthologies, and her nonfiction has appeared in such publications as the Orlando Sentinel, the New York Times Book Review, and the Chicago Tribune Sunday Magazine. She holds a BA from Vermont College and an MFA in Creative Writing from Vermont College.